David Bailey's fascinating article on aggressive footwork in the April issue has me baffled. He goes beyond even Pat Etcheberry, it seems to me, and has devoted a large part of his life to the subject.
Then there is the highly regarded Oscar Wegner, a veteran coach who has worked with some of the top players in the world, including Gustavo Kuerten. Wegner was quoted in a recent interview in Tennis Week: "So many kids and beginners are taught about footwork, where to stand, how to step, but I teach moving naturally to the ball. Your body will always move naturally to the ball so I teach that you want to put all your focus on the ball and connecting your racquet to the ball and nothing else. If your eyes and hands lead, your body follows. Tennis is about eye-hand coordination rather than eye-foot-hand coordination. So it is learning about the discipline of waiting and focusing on your feel of each shot and the earlier you are the more you lose your feel."
How should a club player go about reconciling these two radically different views from two highly regarded students of the great game? And can they be reconciled? I, myself, will attempt to absorb much of what Bailey preaches, and hope to apply it to Wegner's approach. I think that most of us already do something like that, but occasionally are afflicted with lazy feet. Perhaps a hypnotist could help.
Then there is the highly regarded Oscar Wegner, a veteran coach who has worked with some of the top players in the world, including Gustavo Kuerten. Wegner was quoted in a recent interview in Tennis Week: "So many kids and beginners are taught about footwork, where to stand, how to step, but I teach moving naturally to the ball. Your body will always move naturally to the ball so I teach that you want to put all your focus on the ball and connecting your racquet to the ball and nothing else. If your eyes and hands lead, your body follows. Tennis is about eye-hand coordination rather than eye-foot-hand coordination. So it is learning about the discipline of waiting and focusing on your feel of each shot and the earlier you are the more you lose your feel."
How should a club player go about reconciling these two radically different views from two highly regarded students of the great game? And can they be reconciled? I, myself, will attempt to absorb much of what Bailey preaches, and hope to apply it to Wegner's approach. I think that most of us already do something like that, but occasionally are afflicted with lazy feet. Perhaps a hypnotist could help.
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