Developing a Back Foot Serve while other Leg Recovers from Arthroscopy
Back foot serve can use same hips mechanism as a Sharapova two-handed backhand or a Federfore.
This mechanistic sequence was identified by innovative teaching pro-neuroscientist Ray Brown in connection with Sharapova: The hips go easy then hard up and around. Put another way the hips go easy with outside leg bent, and then that leg fires hard (extends) just about at contact.
In a Federfore (the Roger Federer genre of forehand) the same thing happens; but, best results come when the player takes a loose view of the thing.
Instead of being extremely literal about hips moving slowly to here, and fast from here to there, the player pretends he is the one-cannon battleship Monitor at Norfolk Roads in the Civil War-- especially helpful if he or she was already a Yankee.
The turret revolves into last instant aiming position but the revolution can be hips and shoulders both.
Similarly, the firing can include hips and shoulders both.
It was Ivan Lendl, in his collaborative book with Eugene Scott, who rejected traditional, Ted Williams type hips-shoulders hitting sequence. Lendl even suggested that the hips in his forehand seem almost to FOLLOW the shoulders.
All this works well enough for a simple, temporary, back-foot or maybe surprise serve any time. One can also invoke the two plastic basket exercise of Rick Macci instantly to increase power-- where the player stands in open stance at the baseline with a foot in either basket and serves into the opposite fence. Or Vic Braden in his early, filmed versions of a shick injector razor serve-- shick-shick and serve-- with feet along baseline just take shoulders back then change direction keeping palm down to form a natural loop.
"Nice hundred mile per hour serve," Braden would say.
After decades of fooling around with this I only believe in one variation:
the palm is up instead of down. The arms descend together, the back one going faster since it has further to travel, with shallow plane of its descent determined by natural direction in which the elbow straightens.
I then use Scott Murphy's way of passively lifting elbow with forward body
movement with the difference here being that the forward explosive movement is more exclusively angular than in a front foot serve. On a Federfore or this kind of back foot serve there is body rotation to burn-- enough available, in other words, to expend it in both soft and hard forward motion.
Left foot can start heel up to release more angular movement which protects left knee. Heel can remain up until the natural motion gently repositions left foot same as in an open forehand.
Hands can go up together, down together as weight shifts forward then back. Tossing hand can bend up with elbow trailing under as right arm continues back and down (all this sentence with weight neutral).
The rising of hitting forearm to skunktail the low racket vertical can be muscular and deliberate as body slowly rotates forward. The right leg kicking in provides plenty of force to passively lift elbow on the fly into a strong throwing position and accomplish everything else.
The elbow can then throw a short distance pro-actively up and forward before you stop it.
I'm now thinking that one shouldn't be literal-minded about keeping elbow in plane of shoulders, either. I like to start two inches behind this line and end two inches in front of it.
This is no patsy serve.
Back foot serve can use same hips mechanism as a Sharapova two-handed backhand or a Federfore.
This mechanistic sequence was identified by innovative teaching pro-neuroscientist Ray Brown in connection with Sharapova: The hips go easy then hard up and around. Put another way the hips go easy with outside leg bent, and then that leg fires hard (extends) just about at contact.
In a Federfore (the Roger Federer genre of forehand) the same thing happens; but, best results come when the player takes a loose view of the thing.
Instead of being extremely literal about hips moving slowly to here, and fast from here to there, the player pretends he is the one-cannon battleship Monitor at Norfolk Roads in the Civil War-- especially helpful if he or she was already a Yankee.
The turret revolves into last instant aiming position but the revolution can be hips and shoulders both.
Similarly, the firing can include hips and shoulders both.
It was Ivan Lendl, in his collaborative book with Eugene Scott, who rejected traditional, Ted Williams type hips-shoulders hitting sequence. Lendl even suggested that the hips in his forehand seem almost to FOLLOW the shoulders.
All this works well enough for a simple, temporary, back-foot or maybe surprise serve any time. One can also invoke the two plastic basket exercise of Rick Macci instantly to increase power-- where the player stands in open stance at the baseline with a foot in either basket and serves into the opposite fence. Or Vic Braden in his early, filmed versions of a shick injector razor serve-- shick-shick and serve-- with feet along baseline just take shoulders back then change direction keeping palm down to form a natural loop.
"Nice hundred mile per hour serve," Braden would say.
After decades of fooling around with this I only believe in one variation:
the palm is up instead of down. The arms descend together, the back one going faster since it has further to travel, with shallow plane of its descent determined by natural direction in which the elbow straightens.
I then use Scott Murphy's way of passively lifting elbow with forward body
movement with the difference here being that the forward explosive movement is more exclusively angular than in a front foot serve. On a Federfore or this kind of back foot serve there is body rotation to burn-- enough available, in other words, to expend it in both soft and hard forward motion.
Left foot can start heel up to release more angular movement which protects left knee. Heel can remain up until the natural motion gently repositions left foot same as in an open forehand.
Hands can go up together, down together as weight shifts forward then back. Tossing hand can bend up with elbow trailing under as right arm continues back and down (all this sentence with weight neutral).
The rising of hitting forearm to skunktail the low racket vertical can be muscular and deliberate as body slowly rotates forward. The right leg kicking in provides plenty of force to passively lift elbow on the fly into a strong throwing position and accomplish everything else.
The elbow can then throw a short distance pro-actively up and forward before you stop it.
I'm now thinking that one shouldn't be literal-minded about keeping elbow in plane of shoulders, either. I like to start two inches behind this line and end two inches in front of it.
This is no patsy serve.
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