A far larger component than most realize is added to your confidence or lack thereof, in strings/string jobs. Ever see Murray pounding on his string bed? Ever see a pro switch frames every 7-9 games? Even on string jobs that cost: $65 they are using for 1/2hr. at most. Why is that? Why is pro confidence, so dependent, on consistent string bed response? Aren't they the best at adapting to any opponent in the world, as is? They are. So why do so many need such an exorbitant amount of reliable string bed response?
Because heavy hitting changes the string bed quickly, even with gut/alu, or alu/gut. Whereas, the recreational player will not string for months, even years if they don't break. Is that due to economics, or ignorance or both evenly? Most are not good enough to realize the benefit of increased feel and confidence? I don't think that's so. So it's more likely due to ignorance/lack of knowledge. It's a shame that so many are so uninformed and so lacking in the perfect set up for their games. Too bad no site deals with it on an in depth scientific way. The usrsa tests many strings with many testers at once. These are stringers, hitting with the string jobs they do themselves, approx. 34-37 guys for each test. I asked for their results but did not receive the results.
Some of my tests: Same hybrid: varied the mains while keeping crosses same. Varied the crosses while keeping mains the same. Varied both while keeping hybrid the same. Varied frames while keeping tension/hybrid the same. Repeated with pre stretched, to extremes.
Ie: center 6 mains at 65 in a babolat 16 x 19, and then: varied outer mains: next two up to as much as: 80lbs, or down to: 45lbs. Varied final outer mains as much as: up to 80lbs, or down to 45lbs. Or kept them all the same at 65, or 75, or 80, or 90lbs.
Ie, first three crosses down from the top: varied from : first down: 52, 2nd: 57 3rd: 65lbs, 4th-11th: 45lbs, or 4th-8th: 45lbs, rest down: 65lbs or final three down: 45lbs, or final three down: 65-57-45lbs.
And: 80lb mains, 45lb crosses, or: 75 mains, 45lb crosses, or 65lb mains, 45lb crosses, or: 62lb mains/40lb crosses, etc. I have also tried increasing hitting area rather than dropping it, which resulted in stiff and no feel as I expected. I also: placed attention on hitting area 3rd/8th cross down from top, and "boxed" it with lower tension surrounded by higher tension. Also proportionally strung/mains.
Many other combinations with the same string hybrid, such as: Higher tensioned mains in center and lower on periphery. Lower tension in top three crosses than hitting area.
So why are pros so sensitive to slight changes in string tension while playing if they are so good? They are also sensitive to frame weights and balances. Michael Russel could tell one gram from substituted mock up frames, and that they were not his frames, but ones made to look so. Their heightened sensitivity is part reason that they are the best in the world. IN order for them to be able to do impossible things with their equipment, they have to believe that they can. This belief is arrived at by some only after years of staying with childhood frames, and childhood string set ups ala Nadal/Murray/etc. Some can adapt, such as Fed. Not many can believe with experimentation. My partial hypothesis in doing so is to arrive at the best combinations without prejudice of 10 years of static experience.
So, in breaking every stringing law, how many frames have broken doing so? None, nor none even cracked, as I know how to avoid it. So this disproves many stringers' myths. If I can break so many laws without breaking frames, the myths are wrong, not me.
Today: center two mains at 50lb, next two on each side 45lb, all the rest: 75lb.
1st cross down: 75lb, 2nd: 30lb, 3rd: 35lb, 4th: 40lb, 5th: 45lb, 6th: 50lb, 7th: 55lb, 8th: 60lb, 9th-17th: 65lb 18th: 60, 19th: 55, 20th: 50lb.
Because heavy hitting changes the string bed quickly, even with gut/alu, or alu/gut. Whereas, the recreational player will not string for months, even years if they don't break. Is that due to economics, or ignorance or both evenly? Most are not good enough to realize the benefit of increased feel and confidence? I don't think that's so. So it's more likely due to ignorance/lack of knowledge. It's a shame that so many are so uninformed and so lacking in the perfect set up for their games. Too bad no site deals with it on an in depth scientific way. The usrsa tests many strings with many testers at once. These are stringers, hitting with the string jobs they do themselves, approx. 34-37 guys for each test. I asked for their results but did not receive the results.
Some of my tests: Same hybrid: varied the mains while keeping crosses same. Varied the crosses while keeping mains the same. Varied both while keeping hybrid the same. Varied frames while keeping tension/hybrid the same. Repeated with pre stretched, to extremes.
Ie: center 6 mains at 65 in a babolat 16 x 19, and then: varied outer mains: next two up to as much as: 80lbs, or down to: 45lbs. Varied final outer mains as much as: up to 80lbs, or down to 45lbs. Or kept them all the same at 65, or 75, or 80, or 90lbs.
Ie, first three crosses down from the top: varied from : first down: 52, 2nd: 57 3rd: 65lbs, 4th-11th: 45lbs, or 4th-8th: 45lbs, rest down: 65lbs or final three down: 45lbs, or final three down: 65-57-45lbs.
And: 80lb mains, 45lb crosses, or: 75 mains, 45lb crosses, or 65lb mains, 45lb crosses, or: 62lb mains/40lb crosses, etc. I have also tried increasing hitting area rather than dropping it, which resulted in stiff and no feel as I expected. I also: placed attention on hitting area 3rd/8th cross down from top, and "boxed" it with lower tension surrounded by higher tension. Also proportionally strung/mains.
Many other combinations with the same string hybrid, such as: Higher tensioned mains in center and lower on periphery. Lower tension in top three crosses than hitting area.
So why are pros so sensitive to slight changes in string tension while playing if they are so good? They are also sensitive to frame weights and balances. Michael Russel could tell one gram from substituted mock up frames, and that they were not his frames, but ones made to look so. Their heightened sensitivity is part reason that they are the best in the world. IN order for them to be able to do impossible things with their equipment, they have to believe that they can. This belief is arrived at by some only after years of staying with childhood frames, and childhood string set ups ala Nadal/Murray/etc. Some can adapt, such as Fed. Not many can believe with experimentation. My partial hypothesis in doing so is to arrive at the best combinations without prejudice of 10 years of static experience.
So, in breaking every stringing law, how many frames have broken doing so? None, nor none even cracked, as I know how to avoid it. So this disproves many stringers' myths. If I can break so many laws without breaking frames, the myths are wrong, not me.
Today: center two mains at 50lb, next two on each side 45lb, all the rest: 75lb.
1st cross down: 75lb, 2nd: 30lb, 3rd: 35lb, 4th: 40lb, 5th: 45lb, 6th: 50lb, 7th: 55lb, 8th: 60lb, 9th-17th: 65lb 18th: 60, 19th: 55, 20th: 50lb.
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