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  • #31
    No only by advancing manually. Which I think is right. Frankly the whole dartfish contact sync thing is an illusion because you only have actual the contact point in about one of eight examples at 30 frames a second. The chance of having it in both is about zero.


    With 120 frames or 240 frames in the casio (paired with our hs archive footage side by side) you can accurately compare the key points in the strokes. I like to advance one stroke look at it, then the other. That's the way I work in any case.
    Last edited by johnyandell; 11-09-2014, 08:28 PM.

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    • #32
      In one of your articles you mention that the the Sony VX2100 is used by alot of junior academy.

      Does this shoot in high speed? or enough to freeze frames

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