Francis Tiafoe only needs to find Michelangelo...or John Yandell...or you know who
It's not as bad as it looks in slow motion. You see the camera does lie. But John hits the nail on the head as he asserts at the end of the article...
"I would also love to see what happened if he experimented with a better starting position with the shoulders square. And with deeper knee bend, more body turn-- possibly using the platform stance to facilitate those experiments."
...it is only a matter of a better set-up position. A perfect motion must begin with a perfect set-up position. The root cause for any anomalies in this motion probably derive from the set-up position and the subsequent chain of events. Platform is a must in my book. He is extremely relaxed and loose and only needs to turn his shoulders on line with his feet in their starting position before he starts moving them around with the pin-point move. We don't get to see how high he is tossing the ball but I suspect it is too high...one of my major criticisms of the pin-point method.
By adjusting his set-up and shoulders you will get him to where Rick Macci says..."position of the elbow. The elbow should always be shoulder, shoulder, elbow. Should always be...I could draw a straight line...I don't even need to look...there's a straight line through my shoulder, shoulder, elbow. Every time. It's almost like a see-saw...like a teeter totter."
Nothing here that can't be fixed with a few tweeks...the most major change being the stance to facilitate a better weight transfer or shoulder rotation. His beautifully relaxed arm and wrist are indications that this kid has tremendous potential in his motion...much of it that has not been developed or realized. He only needs to get his ducks in a row...so to speak. This kid has a perfect motion somewhere inside of him...it is only up to the right "Michelangelo" to sculpt it out of him.
Talent trumps technique only to a degree. There are limits as your use of the word "some" indicates...you must always first attain a certain level of being FC (Fundamentally Correct). When it comes to service motions one should shoot for the highest level...as in perfect. It is the only stroke where you hold your fate ultimately in your own hand.
Originally posted by johnyandell
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Originally posted by GeoffWilliams
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"I would also love to see what happened if he experimented with a better starting position with the shoulders square. And with deeper knee bend, more body turn-- possibly using the platform stance to facilitate those experiments."
...it is only a matter of a better set-up position. A perfect motion must begin with a perfect set-up position. The root cause for any anomalies in this motion probably derive from the set-up position and the subsequent chain of events. Platform is a must in my book. He is extremely relaxed and loose and only needs to turn his shoulders on line with his feet in their starting position before he starts moving them around with the pin-point move. We don't get to see how high he is tossing the ball but I suspect it is too high...one of my major criticisms of the pin-point method.
By adjusting his set-up and shoulders you will get him to where Rick Macci says..."position of the elbow. The elbow should always be shoulder, shoulder, elbow. Should always be...I could draw a straight line...I don't even need to look...there's a straight line through my shoulder, shoulder, elbow. Every time. It's almost like a see-saw...like a teeter totter."
Nothing here that can't be fixed with a few tweeks...the most major change being the stance to facilitate a better weight transfer or shoulder rotation. His beautifully relaxed arm and wrist are indications that this kid has tremendous potential in his motion...much of it that has not been developed or realized. He only needs to get his ducks in a row...so to speak. This kid has a perfect motion somewhere inside of him...it is only up to the right "Michelangelo" to sculpt it out of him.
Originally posted by johnyandell
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