Kyle:
I watched these soft catch, Serve and Volley Tango and 4 Corner Box.
I like it, however, I even more enjoying seeing a drill, understanding it's real intent, and modifying the hell out of it so it transitions into "stupid impossible circus shit."
I hope you don't mind, but I am going to discuss what I liked, didn't like and how I can do some major adaptations.
Maybe even all of you can discuss some more things for me to do here?
Hopefully no one takes this the wrong was as I am just interested in finding ways to get better, and not be disrepectful, or take over the message board.
First off my goal in any drill set is to win the point on every ball. No exceptions.
In these specific drills I never want that hitting partner to ever get his racket on the ball. My goal with hitting partners is to make sure they don't touch the ball! If the hitting partner manages to get his racket on something it's not what we consider good. We will usually have 2 feeds going on at the same time (dad and ball machine), and I use hitting partners to get to the ball, and just touch it. I find I can feed the ball better than the hitting partner, and quicker, so it's faster than a rally, and I can watch the athlete and catch them off balance. In Junior's kids are killed by the pace because they've practiced rallying at to slow of an engagement level coming up in the system, so I quicken the pace so we can see whats breaking down and correct it. The hitting partner will determine if it was a winner, a bad shot, talk about how they saw the ball, how they saw that play develop and what needs to be done to disguise the shot, and make the first shot on the point construction much more effective.
When I take out the need for the hitting partner to hit he can really focus on what matters. As well I can up the pace of the practice, and not let some hitting partner determine things for us which is good, or give the child academy balls so the kid looks great and everyone is smiling about how the child did wonderful and rallied 18 times in a row! As well we have a special camera we put on the hitting partners head, and I give that to my daughter to watch so she can see what he is seeing in real time (its a ski camera). So, one person feeding balls with focus, one person getting to balls with focus, and the video to back it up (all done silently).
The most importantly thing we do in our developmental aspect is call out each shot (6 - 8 - 10, 15, 20, Wimbeldon -- that means the category, 8 is you hit like a 8 year old, 15 means Junior quality, 20 means Eugenie Bouchard category and a Wimbeldon shot means that was Wimbeldon quality and origional. We actually call out all of our shots like this as it's a true indicator, as opposed to "nice, good, yes, as those are kind of useless dominators for helping an athlete envision what level of play they want to rise to down the road. When their is a HUGE catastrophy it's always a laughing, poking fun at "you're playing like a 6-7 year old", and never a "negative call your playing like a 6-7 year old." Its always a bit of a mocking jab, and it works, as we get a lot of older quality. We are also looking for something origional and creative, so that'll get top marks as well. I call out "Rammstein" when something is smart, and then I am hostily corrected "No, it's Einstein", or "Gretzky" and it's "quit talking about hockey", or we just say "smart, Federer or the Don_Budge word precocious."
Anyways, it gets everyone focused on thinking about every shot, in every situation, no matter what, and its funny, sometimes the hitting partners go a bit to sleep and forget to call out the shot! Or he forgets to talk softly about what he is seeing, and what's happening. Anyways, we're always working on being engaged, so it really shows when someone in the team is having an off day (me, hitting partner or player).
As well, its great having the guy call the shot out with the camera on because that's a good indicator when we look back at the video about what his perspective really was on a specific situation. So, the camera guy will "self talk" to himself a bit softly, and you've got feedback from behind enemy lines ready to go when he is gone, and the athlete has some alone time to sort out their "mess, game, situation, play, achievements, losses, wins" and all the rest.
I watched these soft catch, Serve and Volley Tango and 4 Corner Box.
I like it, however, I even more enjoying seeing a drill, understanding it's real intent, and modifying the hell out of it so it transitions into "stupid impossible circus shit."
I hope you don't mind, but I am going to discuss what I liked, didn't like and how I can do some major adaptations.
Maybe even all of you can discuss some more things for me to do here?
Hopefully no one takes this the wrong was as I am just interested in finding ways to get better, and not be disrepectful, or take over the message board.
First off my goal in any drill set is to win the point on every ball. No exceptions.
In these specific drills I never want that hitting partner to ever get his racket on the ball. My goal with hitting partners is to make sure they don't touch the ball! If the hitting partner manages to get his racket on something it's not what we consider good. We will usually have 2 feeds going on at the same time (dad and ball machine), and I use hitting partners to get to the ball, and just touch it. I find I can feed the ball better than the hitting partner, and quicker, so it's faster than a rally, and I can watch the athlete and catch them off balance. In Junior's kids are killed by the pace because they've practiced rallying at to slow of an engagement level coming up in the system, so I quicken the pace so we can see whats breaking down and correct it. The hitting partner will determine if it was a winner, a bad shot, talk about how they saw the ball, how they saw that play develop and what needs to be done to disguise the shot, and make the first shot on the point construction much more effective.
When I take out the need for the hitting partner to hit he can really focus on what matters. As well I can up the pace of the practice, and not let some hitting partner determine things for us which is good, or give the child academy balls so the kid looks great and everyone is smiling about how the child did wonderful and rallied 18 times in a row! As well we have a special camera we put on the hitting partners head, and I give that to my daughter to watch so she can see what he is seeing in real time (its a ski camera). So, one person feeding balls with focus, one person getting to balls with focus, and the video to back it up (all done silently).
The most importantly thing we do in our developmental aspect is call out each shot (6 - 8 - 10, 15, 20, Wimbeldon -- that means the category, 8 is you hit like a 8 year old, 15 means Junior quality, 20 means Eugenie Bouchard category and a Wimbeldon shot means that was Wimbeldon quality and origional. We actually call out all of our shots like this as it's a true indicator, as opposed to "nice, good, yes, as those are kind of useless dominators for helping an athlete envision what level of play they want to rise to down the road. When their is a HUGE catastrophy it's always a laughing, poking fun at "you're playing like a 6-7 year old", and never a "negative call your playing like a 6-7 year old." Its always a bit of a mocking jab, and it works, as we get a lot of older quality. We are also looking for something origional and creative, so that'll get top marks as well. I call out "Rammstein" when something is smart, and then I am hostily corrected "No, it's Einstein", or "Gretzky" and it's "quit talking about hockey", or we just say "smart, Federer or the Don_Budge word precocious."
Anyways, it gets everyone focused on thinking about every shot, in every situation, no matter what, and its funny, sometimes the hitting partners go a bit to sleep and forget to call out the shot! Or he forgets to talk softly about what he is seeing, and what's happening. Anyways, we're always working on being engaged, so it really shows when someone in the team is having an off day (me, hitting partner or player).
As well, its great having the guy call the shot out with the camera on because that's a good indicator when we look back at the video about what his perspective really was on a specific situation. So, the camera guy will "self talk" to himself a bit softly, and you've got feedback from behind enemy lines ready to go when he is gone, and the athlete has some alone time to sort out their "mess, game, situation, play, achievements, losses, wins" and all the rest.
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