Just a couple of things...under the microscope of Sherlock Holmes.
Yeah...isn't that something Watson? Good work meakinrobert! Just a couple of things here in the setup position and we may just see a more fluid motion all by itself. Why get complicated if there is a simple fix?
I just wonder what you saw Stotty but I will go first as you have so gentlemanly suggested that I do. Thank you for your consideration.
Congratulations Robert...you are halfway home. In fact you just may be slipping the key into the door. The platform stance adjustment is a complete success in my estimation. Perhaps you should have submitted a video a bit earlier as you accomplished some really good stuff but with a couple of real small adjustments you could be knocking on the door. Really good though...I can hardly get over the improved rhythm and aesthetic improvements to your service motion. Your shoulder rotation is excellent. By aligning your feet in this manner you have restricted your rotation to what comes naturally for you...it's tailor fitted!
The Position of the Racquet and Arm Structure in the Set-up
But before going into the forward motion please just consider these minor adjustments. I see that you picked up on my comment about the Budge starting position and now I would like to see you move that position halfway between the Budge position and the Federer position. The tip of the racquet pointing directly at your target. By moving the starting position up higher you really give the impression of initiating the swing with a drop and you continue with that drop and lift all of the way to the top of the backswing. I like the "bobbing" of the racquet to get the whole thing started. This is a huge improvement. You have lost that accelerating movement in the upswing of your backswing.
The Continental Grip goes Eastern Backhand
It was a stroke of genius to ask to see your grip...if I do say so myself. Looking at your grip I am saying to myself...continental forehand. So I would like to see you shift the "V" in the thumb and finger to the middle of that left side bevel of the racquet. That is perhaps a turn of only an 1/8 or a 1/4 of an inch counterclockwise...but it is going to have a big impact on the overall scope of things. As it is now your hand is just a bit too much on top of your racquet and this is preventing you from really extending to hit the ball as high as you can reach...which in turn prevents the wrist in maximizing it's input in the motion. It is also inhibiting your racquet drop behind you somewhat.
In this rear view it a perfect vantage point to observe the role of the wrist throughout the backswing of John Yandell’s model, Roger Federer. Notice how the palm remains down through the entirety of the backswing. Around click number forty you can really see how this is true. You can see that Roger preserves the integrity of his arm and racquet structure clear through click 52 or 53 before the structure begins to “free fall” behind his back. This is a great illustration of the roll of the wrist in the backswing...as it passively does what the positioning of the body and turning of the torso has dictated that it do. If your grip is just to the forehand side of a “neutral” serving grip this motion is going to be somewhat inhibited and your wrist will lose some of it's potential in your swing.
Notice too the slight difference in the racquet face at the top of the backswing of the Roger Federer serve (click #50) and your own at the top of your backswing. The face of your racquet is just slightly more open than that of Federer’s. I would estimate that the 1/8 or 1/4 inch turning of the grip towards the backhand side from the continental would alter your position to that of his. Hmmm....this could just make all the difference in your fluidity. The big fluidity issue in your motion is that your racquet face is just a bit too open at impact as well...you are fighting yourself against a grip that is just a bit to strong in this case.
The passive nature of the wrist is a wonder to behold for the next 6 clicks as the racquet has fallen to it’s lowest point behind his back.
In the setup position I want both of those arm to be really relaxed and loose. Total absence of tension. Go right from the bobbing motion into your backswing. Only enough tension in the racquet arm to maintain the integrity of the arm and racquet structure throughout the backswing. Make these adjustments and play with it for a bit then repost ASAP. You are hot on the trail and not a moment to be lost!
Originally posted by licensedcoach
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I just wonder what you saw Stotty but I will go first as you have so gentlemanly suggested that I do. Thank you for your consideration.
Congratulations Robert...you are halfway home. In fact you just may be slipping the key into the door. The platform stance adjustment is a complete success in my estimation. Perhaps you should have submitted a video a bit earlier as you accomplished some really good stuff but with a couple of real small adjustments you could be knocking on the door. Really good though...I can hardly get over the improved rhythm and aesthetic improvements to your service motion. Your shoulder rotation is excellent. By aligning your feet in this manner you have restricted your rotation to what comes naturally for you...it's tailor fitted!
The Position of the Racquet and Arm Structure in the Set-up
But before going into the forward motion please just consider these minor adjustments. I see that you picked up on my comment about the Budge starting position and now I would like to see you move that position halfway between the Budge position and the Federer position. The tip of the racquet pointing directly at your target. By moving the starting position up higher you really give the impression of initiating the swing with a drop and you continue with that drop and lift all of the way to the top of the backswing. I like the "bobbing" of the racquet to get the whole thing started. This is a huge improvement. You have lost that accelerating movement in the upswing of your backswing.
The Continental Grip goes Eastern Backhand
It was a stroke of genius to ask to see your grip...if I do say so myself. Looking at your grip I am saying to myself...continental forehand. So I would like to see you shift the "V" in the thumb and finger to the middle of that left side bevel of the racquet. That is perhaps a turn of only an 1/8 or a 1/4 of an inch counterclockwise...but it is going to have a big impact on the overall scope of things. As it is now your hand is just a bit too much on top of your racquet and this is preventing you from really extending to hit the ball as high as you can reach...which in turn prevents the wrist in maximizing it's input in the motion. It is also inhibiting your racquet drop behind you somewhat.
In this rear view it a perfect vantage point to observe the role of the wrist throughout the backswing of John Yandell’s model, Roger Federer. Notice how the palm remains down through the entirety of the backswing. Around click number forty you can really see how this is true. You can see that Roger preserves the integrity of his arm and racquet structure clear through click 52 or 53 before the structure begins to “free fall” behind his back. This is a great illustration of the roll of the wrist in the backswing...as it passively does what the positioning of the body and turning of the torso has dictated that it do. If your grip is just to the forehand side of a “neutral” serving grip this motion is going to be somewhat inhibited and your wrist will lose some of it's potential in your swing.
Notice too the slight difference in the racquet face at the top of the backswing of the Roger Federer serve (click #50) and your own at the top of your backswing. The face of your racquet is just slightly more open than that of Federer’s. I would estimate that the 1/8 or 1/4 inch turning of the grip towards the backhand side from the continental would alter your position to that of his. Hmmm....this could just make all the difference in your fluidity. The big fluidity issue in your motion is that your racquet face is just a bit too open at impact as well...you are fighting yourself against a grip that is just a bit to strong in this case.
The passive nature of the wrist is a wonder to behold for the next 6 clicks as the racquet has fallen to it’s lowest point behind his back.
In the setup position I want both of those arm to be really relaxed and loose. Total absence of tension. Go right from the bobbing motion into your backswing. Only enough tension in the racquet arm to maintain the integrity of the arm and racquet structure throughout the backswing. Make these adjustments and play with it for a bit then repost ASAP. You are hot on the trail and not a moment to be lost!
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