From INNER SLINGSHOT: THE KEY TO MODERN TENNIS
It is the last day of the year, and I am determined to finish this unfinishable book, and the Tennis Player bulletin page is down right now, at least on my computer, which means that I can’t get into the TP discussion boards. So here is the YouTube video that don_budge posted two days ago for his speed hand comparison.
If you, reader, have easy access to this video right now, or to other pictures of Ben Hogan, or perhaps just remember the look of his golf swing even though you’re just a tennis player, you may note all the delayed sting in his, and McEnroe’s forehand strike.
Hips go ahead of shoulders, arm and wrist to create an inside out swing.
The hips simultaneously rotate and go out toward the target until one is finally prepared to uncock through the back of the ball.
Is this information transferable to tennis? Absolutely.
But it is dependent on continental grip.
Only with continental grip can a one-inch wrist explosion really work. With all other tennis grips the player is better off not using wrist for propulsion but rather for timing and to steer.
And if I’m repeating myself—good—repetition is good in tennis.
Basically, don_budge’s or Steve Navarro’s comparison is valid. But wherever there is a metaphor, as Robert Frost so tellingly argued, there is a place where it falls apart—one reason that everybody who plans on using language needs to study poems.
Here, the place where comparison erodes is pure opportunity for invention.
Many players, particularly elderly ones, would love to have a delicate, short backswing forehand as effective as McEnroe’s. He is at the time of this writing the top seniors player in the United States and in the world.
If one wanted to keep the same construction but add shock-and-awe, one could use a longer backswing, like Ben Hogan, and keep more releasing bend in arm right up to contact.
If one then followed this experiment to its logical extreme, one might backswing the racket all the way around one’s neck like Ellsworth Vines.
Or develop a huge starting loop containing all the same elements the way Tiny Tom Okker did.
It is the last day of the year, and I am determined to finish this unfinishable book, and the Tennis Player bulletin page is down right now, at least on my computer, which means that I can’t get into the TP discussion boards. So here is the YouTube video that don_budge posted two days ago for his speed hand comparison.
If you, reader, have easy access to this video right now, or to other pictures of Ben Hogan, or perhaps just remember the look of his golf swing even though you’re just a tennis player, you may note all the delayed sting in his, and McEnroe’s forehand strike.
Hips go ahead of shoulders, arm and wrist to create an inside out swing.
The hips simultaneously rotate and go out toward the target until one is finally prepared to uncock through the back of the ball.
Is this information transferable to tennis? Absolutely.
But it is dependent on continental grip.
Only with continental grip can a one-inch wrist explosion really work. With all other tennis grips the player is better off not using wrist for propulsion but rather for timing and to steer.
And if I’m repeating myself—good—repetition is good in tennis.
Basically, don_budge’s or Steve Navarro’s comparison is valid. But wherever there is a metaphor, as Robert Frost so tellingly argued, there is a place where it falls apart—one reason that everybody who plans on using language needs to study poems.
Here, the place where comparison erodes is pure opportunity for invention.
Many players, particularly elderly ones, would love to have a delicate, short backswing forehand as effective as McEnroe’s. He is at the time of this writing the top seniors player in the United States and in the world.
If one wanted to keep the same construction but add shock-and-awe, one could use a longer backswing, like Ben Hogan, and keep more releasing bend in arm right up to contact.
If one then followed this experiment to its logical extreme, one might backswing the racket all the way around one’s neck like Ellsworth Vines.
Or develop a huge starting loop containing all the same elements the way Tiny Tom Okker did.
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