geoffwilliams or anybody...talking about vibrations of a different kind.
My best junior and most ambitious player...Gustav, insists on not using a vibration dampener. When I ask him why not...he sort of vaguely says that "he wants to feel everything, he wants to feel the strings".
In my way of thinking, and I have tried it with and without, I want to feel the ball on my racquet and for me the best way to gauge how the ball feels on my racquet is with the dampener. I don't feel that I feel the ball on the strings without the dampener and the whole shot making process feels too "pingy" to me.
The young man has had an enormous love affair with power, residual from his previous training, and he can be rather impatient and wild. Every match he loses is a result of his lack of patience and control. I am trying to get him to roll it back a bit...to be more patient and have more control. I am trying to get him to use his power when appropriate but to always control points with a combination of pace and spin and placement.
He plays with a Technifibre T-fight 325 strung with Black Code with the tension right in the middle of the suggested range. Any suggestions?
My best junior and most ambitious player...Gustav, insists on not using a vibration dampener. When I ask him why not...he sort of vaguely says that "he wants to feel everything, he wants to feel the strings".
In my way of thinking, and I have tried it with and without, I want to feel the ball on my racquet and for me the best way to gauge how the ball feels on my racquet is with the dampener. I don't feel that I feel the ball on the strings without the dampener and the whole shot making process feels too "pingy" to me.
The young man has had an enormous love affair with power, residual from his previous training, and he can be rather impatient and wild. Every match he loses is a result of his lack of patience and control. I am trying to get him to roll it back a bit...to be more patient and have more control. I am trying to get him to use his power when appropriate but to always control points with a combination of pace and spin and placement.
He plays with a Technifibre T-fight 325 strung with Black Code with the tension right in the middle of the suggested range. Any suggestions?
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