I've been looking at the new clips of Soderling's forehand to see if I could come up with any interesting observations.
I am particularly interested in his forehand because there are some aspects that are similar to mine. I also take the racquet back a little bit behind me and have a relatively small amount of loop in my take-back. Not that I modeled my forehand this way intentionally...that's just the way it has turned out so far.
I agree with previous posts that his forehand is similar to Murray's. Murray's wrist is even more neutral than Soderling's at the transition from back swing to forward swing.
I would say that the major difference with Soderling is that he rotates his shoulders further. From the front view, you can see the back of his right shoulder at the furthest point in his back swing. His elbow does drift back near the completion of his backswing as well. He also starts to supinate the forearm a little bit, which brings the racquet head back even further. None of these movements are too extreme, but when you add them all up, the take-back does end up pretty far behind him compared to the other men.
I also noticed that his left arm is not as involved in the forward part of his swing compared to other pro men. As he reaches maximum shoulder turn at the end of his back swing, his left arm has already kind of passively fallen towards the left and points toward the net early in his forward swing. Other players seem to keep the left arm stretched across longer and then drive it back from the left elbow instead of letting the left arm passively fall down.
He also does not have a huge amount of wrist lag and subsequent catching up compared to others. Like Murray, his forward swing is more of a one-piece motion. This may have more impact on spin than on ball speed or power and could explain why he hits a relatively flatter ball.
Also similar to Murray, his shoulder rotation seems to mirror his hip rotation. When he finishes with his right shoulder forward, his right hip is also forward. Some of the other pros seem to put the brakes on the hip rotation earlier and the shoulders end up rotating beyond the hips, which end up more square to the net. This point is a subtle one, but I think important. If you watch the clips carefully, you can see that in many cases, hip rotation beyond parallel to the net is more of a consequence of the shoulders pulling the hips around. In swings that are more like Murray and Soderling, though, the hip rotation seems to be more connected with driving and powering the shot, rather than a consequence.
I would love to hear any comments or additional observations. Is there anything we can learn from Soderling? In my opinion, there may be something valuable about the simplicity of his forehand. Even though he takes his racquet back further, his motion is actually kind of simple.
What about the similarity to the "WTA" forehands? We may look at it and conclude that since it looks like a WTA stroke, we should discard it. However, I think his type of stroke might require MORE athleticism because of the power needed to generate the hip and shoulder rotation repeatedly over the course of a match or tournament.
I am particularly interested in his forehand because there are some aspects that are similar to mine. I also take the racquet back a little bit behind me and have a relatively small amount of loop in my take-back. Not that I modeled my forehand this way intentionally...that's just the way it has turned out so far.
I agree with previous posts that his forehand is similar to Murray's. Murray's wrist is even more neutral than Soderling's at the transition from back swing to forward swing.
I would say that the major difference with Soderling is that he rotates his shoulders further. From the front view, you can see the back of his right shoulder at the furthest point in his back swing. His elbow does drift back near the completion of his backswing as well. He also starts to supinate the forearm a little bit, which brings the racquet head back even further. None of these movements are too extreme, but when you add them all up, the take-back does end up pretty far behind him compared to the other men.
I also noticed that his left arm is not as involved in the forward part of his swing compared to other pro men. As he reaches maximum shoulder turn at the end of his back swing, his left arm has already kind of passively fallen towards the left and points toward the net early in his forward swing. Other players seem to keep the left arm stretched across longer and then drive it back from the left elbow instead of letting the left arm passively fall down.
He also does not have a huge amount of wrist lag and subsequent catching up compared to others. Like Murray, his forward swing is more of a one-piece motion. This may have more impact on spin than on ball speed or power and could explain why he hits a relatively flatter ball.
Also similar to Murray, his shoulder rotation seems to mirror his hip rotation. When he finishes with his right shoulder forward, his right hip is also forward. Some of the other pros seem to put the brakes on the hip rotation earlier and the shoulders end up rotating beyond the hips, which end up more square to the net. This point is a subtle one, but I think important. If you watch the clips carefully, you can see that in many cases, hip rotation beyond parallel to the net is more of a consequence of the shoulders pulling the hips around. In swings that are more like Murray and Soderling, though, the hip rotation seems to be more connected with driving and powering the shot, rather than a consequence.
I would love to hear any comments or additional observations. Is there anything we can learn from Soderling? In my opinion, there may be something valuable about the simplicity of his forehand. Even though he takes his racquet back further, his motion is actually kind of simple.
What about the similarity to the "WTA" forehands? We may look at it and conclude that since it looks like a WTA stroke, we should discard it. However, I think his type of stroke might require MORE athleticism because of the power needed to generate the hip and shoulder rotation repeatedly over the course of a match or tournament.
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